April Behnke
When artist Ruth Lantz moved back to her home state of Illinois during the pandemic, she felt the sense of disconnection so many of us experienced during this challenging period. But rather than settle for isolation, she took a leap into the unknown, forming Crit Connection, a virtual community of artists that’s been thriving ever since.
Lantz, who also teaches at the University of Illinois at Urbana Champaign and Portland Community College, launched the online group in 2021. Memberships fluctuate from 40 to 60 artists, with participants from across the U.S. and abroad.
“Like a lot of artists, I was struggling during that period,” she said. “I had a realization that I needed to make sure that I continued reaching out to artists. I thought, maybe if I feel this way, others will too. So, I started Crit Connection.”
How it works is simple. At the beginning of each month, Lantz introduces one artist to another, pairing them off in groups of two. From there, the pairs can connect as they wish, whether to host a virtual studio visit, review grant applications, artists statements, websites, or share tips.
“One of the things that I think is lacking in a lot of education for artists is professional development,” she explained. “As we move through our careers, we all pick up different bits and pieces. Even just meeting someone who has a different skill set than you can be helpful because they can share their knowledge.”
Occasionally Lantz invites guest speakers to host virtual talks for Crit Connection participants to further their professional education. Recent visitors include Erika B. Hess, host of the popular ‘I Like Your Work’ podcast, who walked artists through applying to open calls, and art writer John Seed, who gave tips on crafting artist statements.
Not only has the community been a source of professional development, but for many artists, it has also provided much needed support.
“You’re actually having a real, in-depth conversation with the person you’re paired with,” said Ann Arbor-based artist Mia Risberg. “You have so much more context to why they’re making the work, you know a little bit about their personal life. It’s almost like you feel like you’ve made a new friend.”
Katherine Steichen Rosing of Madison, who works in painting and installation, appreciates the variety of artists in the program, from photographers to fiber artists to ceramicists and more. “When I joined Crit Connection, I was looking for connections with other artists, to get feedback on work, and to broaden the base of artists that I talked with. I think it’s good to get ideas from people outside of my area,” she said.
Despite its many benefits, Lantz has chosen to keep the program deeply affordable. Artists can join for just $15 a year. To enter the program, they simply need an active exhibition record and a professional website.
“Accessibility is really important,” said Lantz. “There are so many barriers to getting into the art world. I wanted people to be able to participate.”
Visit ruthlantz.com/crit-connection to learn more and connect on Instagram at @critconnection